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Analysis Of Edgar Allan Poe s A Tell Tale Heart - 1289 Words

Inside the Heart There are many well-known poets, but not many are as unique as Edgar Allan Poe. By the age of 13, Poe had become a creative poet (Biographies). Many of Poe s works were horrific fictional stories. His first book was published in Boston in 1827, called Tamerlane and other Poems. More of Poe s major works include Tales of the Grotesque a d Arabesque, which included his most spine tingling tales such as Ligeia and The Fall of the House of Usher. Most of Poe s works have a dark Gothic genre, and include themes of death, insanity, and evil. Poe became prominent for his literary works in 1845, after publishing The Raven (Biographies). In A Tell-Tale Heart, one of Poe s other famous horrific works, Poe conveys†¦show more content†¦The narrator s guilt consumes him once more, the reader may assume, once he says, I hear all things in the heaven and in the earth. I heard many things in hell (Poe, 716). The narrator s guilty conscience causes him to hear and contemplate evil thoughts. This battle with his conscience, merges into one of Poe s different thematic subjects, good vs. evil. Last but not least, Poe exhibits guilt after committing the crime. The narrator cannot handle what he has done. The officers in the story present an even larger obstacle because their presence sends the narrator into insanity. He says, Villains! I shrieked, Dissemble no more! I admit the deed! Tear upon the planks! Here, here! It is the beating of his hideous heart! (Poe, 718). The narrator cannot sustain his act of being a fearless person, for his guilt drove him into such madness that he felt that he had begun to hear the beating of what he had thought to be the old man s heart, long after his gruesome murder (Kirkland, 13). Poe uses these examples to convey the message that guilt is sometimes too much of a burden on the human heart. In addition to Poe s theme of guilt to deliver his message, he also uses symbols. In The Tell-Tale Heart, the narrator becomes fascinated in this old man s eye. He names it the vulture eye and credits it for his behavior in murdering the old man. A vulture is something that preys onShow MoreRelatedAn Analysis Of Edgar Allan Poe s The Tell Tale Heart 1015 Words   |  5 Pagesâ€Å"Insane in the Membrane† Edgar Allan Poe is one of the most acclaimed short story writers of all time and is considered the father of the psychological thriller. He has achieved ever-lasting fame for his work in various fields of literature, from prose to verse. However, it is his Gothic narrative, in the short story realm he is greatest known for and is regarded as one of the foremost masters of horror that the United States has ever fashioned. The crucial component to these horror stories isRead MoreAnalysis Of Edgar Allan Poe s Tell Tale Heart Essay1401 Words   |  6 Pagesstereotypical â€Å"mean girl’ in life. But are you a mean girl only because you are insecure about yourself, or do you genuinely have nothing better to offer society than cruel comments on people’s appearance. Very much like a â€Å"mean girl† in Edgar Allan Poe’s Tell Tale Heart, it is a thrilling mystery with murder. The story is basically about a man who is a server to an old man who has an odd looki ng eye. It is not the old man’s fault for his appearance, nor should the old man deserve the cruel thought, thatRead MoreAnalysis Of Edgar Allan Poe s The Tell Tale Heart 1291 Words   |  6 Pagessecrets hidden in the story line that does it? Individually when each of you close your eyes and visualise a book that has been flicked by hundreds and has been adored what comes to mind? The famous Edgar Allan Poe stands out in the history of gothic texts, especially his novel the â€Å" Tell-Tale Heart†. However there is a numerous amount of contemporary texts based off this genre including Tim Burton’s â€Å" Vincent†. In this presentation I hope to engage you in the history of the gothic genre. GothicRead MoreAnalysis Of Edgar Allan Poe s The Tell Tale Heart1104 Words   |  5 PagesPoe Psychoanalysis Psychoanalysis began with Sigmund Freud, also known as the founding father of psychoanalysis. Psychoanalysis is a method for treating mental illness and also a theory which explains human behavior. (McLeod) Freud broke his theory into 3 different levels, Id, Ego, and Superego. Edgar Allan Poe’s â€Å"The Tell Tale Heart† and the â€Å"Cask of Amontillado† focused deep into these levels of psychoanalysis specifically the superego and the id. Freud explained that our superego is our conscienceRead MoreAnalysis Of Edgar Allan Poe s The Tell Tale Heart 1560 Words   |  7 Pagesbelong to Mr. Poe. You see, Edgar Allan Poe is still one of the greatest masters of enticing emotion into readers. Whether it is psychological fear in short stories like Bernice and The Pit and the Pendulum or poetry about death, sadness, and love. But, Poe really does raise the bar when it comes to mystery in his poetry. From houses suddenly combusting in The Fall of the House of Usher and uncanny deliriums in The Tell-Tale Heart, mysteries of all kinds encompass Poe s works. Poe has mastered theRead MoreAnalysis Of Edgar Allan Poe s The Tell Tale Heart957 Words   |  4 Pageswhether madness is or is not the loftiness of intelligence,† (Edgar Allan Poe). Edgar Allan Poe is a well known and beloved writer of the horrid and meticulous. Through emphasis on his personal life and personal insanity, we get a glimpse inside the world that might be our own minds as well as stories that teach us life lessons as well as make our blood curdle and ponder over the deep emotions of Poe’s life. Stories such as the Tell-Tale Heart teach us of these life lessons. In this story the narratorRead MoreAnalysis of Edgar Allan Poe ´s The Tell-Tale Heart605 Words   |  2 Pagesâ€Å"The Tell- Tale Heart†, written in 1843, is a simultaneous horror and mental story presented in a first- person perspective, in which Edgar Allan Poe, the author, portrays that the significant influence of inner guilty and fear on narrator’s insane. The author achieves this in the means of figurative languages, symbolism and the plot of the story. Through the whole story, there is no doubt that guilty plays a tremendously crucial role. It is obvious that symbolism is used for many times. To beginRead MoreEdgar Allan Poe s The Tell Tale Heart857 Words   |  4 Pagesfear what they can t control. Author, Edgar Allan Poe wrote short stories that evoked emotions of fear of the unknown in a way that speaks to the reader. Some of Poe s stories were not well accepted in his day because people were just not ready for them- they were scary. Poe s works The Tell-Tale Heart, The Premature Burial and The Facts in the Case of M. Valdemar evoke emotions of fear of the unknown for the reader Edgar Allan Poe s The Tell-Tale Heart, is a short story that illustrates theRead MoreWhy Should We Care?1748 Words   |  7 PagesWhy Should We Care?: Edgar Allan Poe â€Å"Few creatures of the night have captured [reader’s] imagination[s] like [Edgar Allan Poe]† (â€Å"Vampires†). Poe has fascinated the literary world since he first became known for writing in 1829, when he was just twenty years old (Chronology†). While he is widely known for exploring the macabre, his work is controversial because of its psychologically disturbing nature. Edgar Allan Poe is worth examining as an author because his many contributions to the literaryRead MoreThe Final Days of Edgar Allan Poe by Roger Francis 1732 Words   |  7 PagesEdgar Allan Poe is regarded as one of the most influential American writers of the nineteenth-century. Poe’s short stories posses the recurring themes of death, murder and his narrators often show signs of mental instability, like the old man in â€Å"The Tell-Tale Heart† and Montressor in â€Å"The Cask of Amontillado†. Since tragedy was prominent throughout Poe’s life, his wor k reflects the darkness ingrained by continuously being faced with adversity. Poe’s mental stability also comes into question when

Franco Zefirelli film Essay Example For Students

Franco Zefirelli film Essay The task set is to watch and analyze the opening sequences to the Franco Zefirelli film and also the Baz Luhrmann version. Both directors have used different techniques in the films to represent different opinions and emotions for the characters. The versions use a narrator to show and explain a storyline but in different ways to each other. One is a modern version and the other uses older fashioned styles and techniques of filming. The Franco Zefirelli film has quite a difference in ideas for the film compared to the novel and stage play. But back in the days of the Franco Zefirelli film it was said to of been the best of that time, and also was know to be good for the translation from a stage play and then into a film. The opening scene of the Shakespeare play has a narrator of that time of who reads out the prologue. The films prologue has images in the background of the town of Verona of which is where the play is set. In the original stage version the narrator would have stood at the front of the stage and recited the words in front of the audience. Franco Zefirellis version of the film has various ideas which were very innovative for the time of making of this film. The music which he has used fits in so well with the separate scenes which they have been used in. Once used in the opening scene, the music instantly is recognized due to the film becoming so famous; the music was soft, romantic and slow. The voice over (prologue) is used before the opening scene begins. There are many different representations used in the opening scene such as the early morning mist over the city which shows that it will be a hot new start to the day. The director has shown these images to set the scene and to make the film more realistic which is classed as continuity editing. Franco Zefirelli has used many different types of camera shots to make the film more realistic and also to make it more exciting and make the audience feel as if we are actually there. He uses mid shots and close-ups at ground level in the market scene to show the action and make us feel as if we are there. It also gives the audience a good view of what is going on in the different scenes. The city in which the film is set does not look as if it is a stage play with cardboard cutouts as house which you would expect but it appears to be an actual real city in which it has been filmed. The selection of costumes in which Franco Zefirelli uses in his version can easily show who belongs to the Montague, Capulet family and also for the two different families. We can tell this by the bright and dark colours used. Once the civil brawl breaks out, due to Franco Zefirellis wish to show the amount of chaos it brings to the whole of Verona, he decides to drop the idea of continuity editing and then he begins to use different shots such as long and panoramic views to capture more of the action in one full shot. Also, when Tybalt enters onto the scene there is an instant close up onto his and his companions feet then the camera makes a tilt and then zooms in to a close up of his face. The brawl and all the noise stops and this show that he plays an important part in the play and is the opening to the second part of the brawl. We then see the prince entering into the fight scene and the camera is on the rooftops looking down on him. The trumpets play to represent that someone of importance has arrived which alerts everyone in the street. .u6f94d6a105353883d4265c87d852a62c , .u6f94d6a105353883d4265c87d852a62c .postImageUrl , .u6f94d6a105353883d4265c87d852a62c .centered-text-area { min-height: 80px; position: relative; } .u6f94d6a105353883d4265c87d852a62c , .u6f94d6a105353883d4265c87d852a62c:hover , .u6f94d6a105353883d4265c87d852a62c:visited , .u6f94d6a105353883d4265c87d852a62c:active { border:0!important; } .u6f94d6a105353883d4265c87d852a62c .clearfix:after { content: ""; display: table; clear: both; } .u6f94d6a105353883d4265c87d852a62c { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u6f94d6a105353883d4265c87d852a62c:active , .u6f94d6a105353883d4265c87d852a62c:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u6f94d6a105353883d4265c87d852a62c .centered-text-area { width: 100%; position: relative ; } .u6f94d6a105353883d4265c87d852a62c .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u6f94d6a105353883d4265c87d852a62c .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u6f94d6a105353883d4265c87d852a62c .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u6f94d6a105353883d4265c87d852a62c:hover .ctaButton { background-color: #34495E!important; } .u6f94d6a105353883d4265c87d852a62c .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u6f94d6a105353883d4265c87d852a62c .u6f94d6a105353883d4265c87d852a62c-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u6f94d6a105353883d4265c87d852a62c:after { content: ""; display: block; clear: both; } READ: Film Summary - Interview with a Vampire EssayThe camera follows the prince and then tilts up to show his importance like Tybalt. This shows his authority over the whole town. Baz Luhrmann version of Romeo and Juliet is very different compared to Franco Zefirelli film but in some ways very similar. Baz Luhrmann decides not to use continuity editing because he makes this into a much more modern version and parts of this film can become very hard to follow and believe they could happen in real life. He has also used appealing features to attract younger people to the newer version of the film. For example the prologue of this version of the film begins off with a zoomed out view of a TV news reader inside a TV and then the camera slowly zooms in on the TV. At the same time as zooming in the news reader is reading out the classic prologue word for word but like a news story, accompanied by images from the film. This immediately shows that this is a modern version of the famous script. Dramatic and loud music accompanies the images and also the voice over of the prologue. The images and titles are flashed on the screen to capture the attention of the audience. All of this and his camera work show that there is a dramatic film ahead and also excitement which in young audiences may not generally associate with Shakespeare. Also the camera work uses many different kinds of shots whilst transitioning among images. Both families meet at a petrol station: Unlike the Zefirelli film, which has traditional opening in Verona market place, there are many signs and ideas which show that the director has tried to relate as much as possible to the real script of the original stage play. Some of these are small extras such as on the bottom of the pistol it says sword, which links in with the dialogue when the fight begins. During this fight Baz Luhrmann has used slow motion and has also speeded up some of the parts of this brawl; this adds to the exciting effect and emphasizes the importance of the battle. The camera work for this scene has been very carefully thought out; Baz Luhrmann seems to have used ideas from Franco Zefirelli camera work. For example when Tybalt makes his entry in the older version there is a close up of his feet, and Baz Luhrmans also has used this idea in this version. Also another excellent example of this copying of techniques is when the prince enters (in this case police chief); this is a good example because he arrives in a helicopter high up, this is like the first version as him being high up emphasizes his importance. Here it is a helicopter as it is a more modern version of transport compared to the Zefirellis idea of a horse which was a modern method of transport then. My favourite camera shot is the way that both directors have use close ups. They have been used nearly exactly the same way in each film. Both directors used these shots at the beginning of the brawl between the two families. The main close up is on the character that basically begins the brawl. The close up which is used aims directly at the feet of him and his companions. The directors have used this to show that the amount of people in this close up gives the idea that trouble is stirring. I particularly liked Baz Luhrmans speeding up of a clip in the petrol station with Tybalt. When the enemy begins to drive away the director shows him drop to the ground and whilst doing that he has speeded up the part with him taking off his coat. .u2e00ef5be6ea54a73353cb3d8d41bcc6 , .u2e00ef5be6ea54a73353cb3d8d41bcc6 .postImageUrl , .u2e00ef5be6ea54a73353cb3d8d41bcc6 .centered-text-area { min-height: 80px; position: relative; } .u2e00ef5be6ea54a73353cb3d8d41bcc6 , .u2e00ef5be6ea54a73353cb3d8d41bcc6:hover , .u2e00ef5be6ea54a73353cb3d8d41bcc6:visited , .u2e00ef5be6ea54a73353cb3d8d41bcc6:active { border:0!important; } .u2e00ef5be6ea54a73353cb3d8d41bcc6 .clearfix:after { content: ""; display: table; clear: both; } .u2e00ef5be6ea54a73353cb3d8d41bcc6 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u2e00ef5be6ea54a73353cb3d8d41bcc6:active , .u2e00ef5be6ea54a73353cb3d8d41bcc6:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u2e00ef5be6ea54a73353cb3d8d41bcc6 .centered-text-area { width: 100%; position: relative ; } .u2e00ef5be6ea54a73353cb3d8d41bcc6 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u2e00ef5be6ea54a73353cb3d8d41bcc6 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u2e00ef5be6ea54a73353cb3d8d41bcc6 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u2e00ef5be6ea54a73353cb3d8d41bcc6:hover .ctaButton { background-color: #34495E!important; } .u2e00ef5be6ea54a73353cb3d8d41bcc6 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u2e00ef5be6ea54a73353cb3d8d41bcc6 .u2e00ef5be6ea54a73353cb3d8d41bcc6-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u2e00ef5be6ea54a73353cb3d8d41bcc6:after { content: ""; display: block; clear: both; } READ: Movie Summary - Pretty Woman EssayThis shows a quick action which catches the audiences attention. He then kisses his weapon (the pistol, i. e. sword-weapon) which shows his violence and aggression, and then shoots at the Montagues. Overall my favourite opening sequence of the two films is the Baz Luhrmann version. This is because despite the lack of continuity editing I find it much easier to follow and more appealing to the younger generation because it uses much more action and includes more excitement. For example the way that the director has used modern weapons and transport.

Scarlet Letter Essays (601 words) - Film, , Term Papers

Scarlet Letter "Confess thy truth and thou shall have eternal rest." I believe that is the moral to be taught in this novel of inspirational love, yet a novel of much sorrow. The impossible became possible in The Scarlet Letter, a story set back in the Puritan Times. In this response, I will give my reactions in writing to different aspects of the novel; the characters, my likes and dislikes, my questions, and my opinion of the harsh Puritan lifestyle. Hester Prynne, the Reverend Dimmesdale, and Roger Chillingworth each suffered guilt in their own way in the novel The Scarlet Letter. In the beginning of the novel, Hester Prynne should have not suffered the way she did on the scaffold alone. She was forced to be intergated by the high-officials of the town, while holding her little Pearl in arms. Making matters worse, the father of the child was in that very group of officals. She was then sentenced to wear the scarlet letter "A", showing her guilt "externally". Unable to take it off, she was forced to show her guilt to the entire settlement. However, the Reverend Dimmesdale suffered "internally", with a scarlet letter of his own engraved in his mind, and on his chest as well. He felt like he betrayed God, and beat himself in a frenzy to prove his wrongdoing. He often questioned whether his authority was true or not. Roger Chillingworth suffered the least, because he only failed to reveal the secret that he knew, the father of the child who Hester Prynne was forced to live with. This small restriction to his life forced him to suffer "internally". I had different likes and dislikes in the novel The Scarlet Letter. There were many things that needed to be judged to fit into the given catagories, including; character attitudes, and character decisions. For example, the attitude displayed from the Reverend Mr. Dimmesdale was rather unnapealing to me. There are different ways of settling ones guilt rather than whipping oneself in a closet. The one character whose attitude was appealing to me was that of Pearl's. She showed that mistakes in a relationship often lead to bad situations. Her mischeif and connection to the devil are examples of just those situations. Character decisions played an euqally important role. For example, I thought the descision for Hester not to tell who was the father of Pearl on the scaffold to be very brave, but was wrong. She could have ended it a lot quicker if she told the truth. A descision that I supportted was the plan for Hester, the Reverend Dimmesdale and Pearl to leave town, because it was a way to start a new life. Certain questions came about when reading The Scarlet Letter. Many of them involved small details. . For example, why did Hester not tell her daughter at a younger age what the "A" embroidered on her clothes meant? Why did the minister wear elaborate garments when conducting his self-punishment in the closet? However, other questions were involving larger situations. Why did the minster keep quiet when he knew he wouldn't live for much longer? What made Hester finnally remove her scarlet letter (for a short period of time)? The Puritanic age was a harsh and brutal period of time. At many times, citizens had no rights whatsoever. The persecuted depended on the fate of the few elite, or the top officials of town. Their laws were srict regaurding having a child out of wedlock, and if not followed, a scarlet letter "A" would place itself upon that person(s). My thoughts on the whole Puritanic epoch are not sympothetic. The strict rules set guildlines and formed a society in which much of it had no problems. I would even think that if applied to currnet times, it would turn society around dramatically.